Autumn / Fall Tragedy Old, Maturity Myth of fall, decay, separation Winter. While Frye deals with myths and archetypes from a broader perspective in the third essay, in this section he focuses on the critical method of tracing a symbol's heritage through literary works both prior and subsequent to the work in question. He mentions that the introduction is a polemic, but written in first person to acknowledge the individual nature of his views. Yet even if there is a consensus among critics that the works of John Milton are more fruitful than. The original presentation of the epic was ta epe (that which is spoken and when an author, speaker, or storyteller addresses a visible audience directly, we have epos. Anatomy was highly influential in the decades before deconstructivist criticism and other expressions of postmodernism came to prominence in American academia circa 1980s. It may be referred to as diction (ear) or imagery (eye) depending on the critical focus. Great Chain of Being applied to different types of imagery discussed by Frye 5 Six Worlds (as described in Great Chain of Being by Aristotle ) Apocalyptic imagery (heavenly) Demonic imagery (hellish) Analogical imagery Analogy of Innocence Analogy of Experience Analogy of Nature Reason Divine.
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Drama lies halfway between epos and fiction, or more accurately, its diction must fit the setting and the character. He acknowledges having used the term previously in a different sense. Toronto: University of Toronto Press,1990. Literary criticism ought to be a systematic study of works of literature, just as physics is of nature and history is of human action. The ironic mode often shows the death or suffering of a protagonist who is both weak and pitiful compared to the rest of humanity and the protagonist's environment; Franz Kafka 's works provide many examples of such. Frye next introduces the formal phase, embodied by the image, in order to define the layer of meaning that results from the interplay of the harmony and rhythm of the signs and motifs. Nathaniel Hawthorne 's Hester Prynne, and Hardy's Tess exemplify this treatment. Epics are long, lyrics are short but in the radical of presentation.
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